Early bird registration, scholarships, the research symposium and performers competition are now open until December 31, 2024. The winner of the composition competition has been announced.

早期割引登録、奨学金の申請、演奏コンクール、研究シンポジアム発表の募集は開始しました。全ての締切は12月31日までです。作曲コンクールの優勝者が発表されました。

Workshops / ワークショップ

corner_corner--

Room_____BBox--Black Box (70)

Room_____r109--Room 109 (40)

Room_____r124--Room 124 (40)

Room_____r242--Room 242 (40)

Room_____r262--Room 262 (30)

Room_____r126--Room 126 (20)

Room_____r263--Room 263 (20)

Room_____r225--Room 225 (18)

Room_____r228--Room 228 (10)

Thu17_01_Titl--Thu 17th April, 2025//2025年4月17日(木 )

Thu17_01_____--Thu 09:30 - 10:45//木 09:30 - 10:45

Thu17_01_BBox--Keisuke Zenyōji//善養寺 惠介--Basic playing techniques for the Nezasa-ha Kinpū-ryū style//根笹派錦風流の基本奏法について

Thu17_01_r109--Stan Kakudō Richardson--Sakai Jishi , Myoan Shinpo-ryū , Beginner’s Class

Thu17_01_r124--Kenichi Tajima--How to make a sound easily//楽に音を出す方法

Thu17_01_r242--Bruce Huebner--Using Vocal Effects And Loopers with Shakuhachi

Thu17_01_r262--Daisuke Kaminaga--New possibilities for the shakuhachi seen through comparison with Celtic flutes//ケルトの笛との比較から見る尺八の新たな可能性

Thu17_01_r126--Jūmei Tokumaru--How to play Yamada style music (with Matsukaze as the theme)

Thu17_01_r263--

Thu17_01_r225--

Thu17_01_r228--

Thu17_02_____--Thu 11:15 - 12:30//木 11:15 - 12:30

Thu17_02_BBox--Hōzan Nomura--Composition analysis of Nakao Tozan's works//中尾都山作品の作曲分析

Thu17_02_r109--Tomoe Kaneko--How to read Kinko-ryū scores, beats, fingering, etc. for beginners//初心者対象の琴古流の譜の読み方、拍の取り方、指遣いなど

Thu17_02_r124--Dōzan Fujiwara--Efficient sound production: Considering breathing when playing//効率的な音の出し方 〜吹奏時の呼吸を考える

Thu17_02_r242--John Kaizan Neptune--Ideas for practice, open to all levels

Thu17_02_r262--Gunnar Jinmei Linder--Jiuta sōkyoku (for example Chikubushia, Ikuta version, or any other jiuta, sōkyoku or jiuta-sōkyoku)

Thu17_02_r126--Danilo Baikyō Tomic --Dao Yin for shakuhachi players (Chinese wellness exercises to improve respiratory capacity and relax the neck, shoulders and upper limbs)

Thu17_02_r263--

Thu17_02_r225--

Thu17_02_r228--

Thu17_03_____--Thu 13:30 - 14:45//木 13:30 - 14:45

Thu17_03_BBox--Mini-concert A--Reibo Aoki III, Ray Jin, Cornelius Boots, Kenichi Tajima, Hélène Seiyū Codjo, Ralph Samuelson

Thu17_03_r109--Reison Kuroda-- Acquiring the techniques of Kinko-ryū and classical music through the original composition "Kemuri no Kyoku" (Smoke Song)//自作曲「煙の曲」を通しての、琴古流及び古典本曲の技法の習得

Thu17_03_r124--Riley Lee--Sokkan (Breath observation)//息観

Thu17_03_r242--Kōhei Matsumoto--Playing phrases correctly in honkyoku//古典本曲の適切なフレー ズの取り方

Thu17_03_r262--Kizan Kawamura--How to play Tozan-ryū honkyoku: Explanation using the assigned pieces//都山流本曲演奏法 本曲の課題曲を使って解説します

Thu17_03_r126--

Thu17_03_r263--

Thu17_03_r225--

Thu17_03_r228--

Thu17_04_____--Thu 15:15 - 16:30//木 15:15 - 16:30

Thu17_04_BBox--Mini-concert B--Stan Kakudō Richardson, Antonio Enzan Olias, Danilo Baikyō Tomic, Sumie Kaneko, Akihito Obama, Kaoru Kakizakai, James Schlefer/Hiromu Motonaga/Yoshimi Tsujimoto

Thu17_04_r109--Kuniyoshi Sugawara--Research into the performance records of Hirosawa Seiki and the explanation of playing techniques by Okamoto Chikugai//廣沢靜輝演奏記録と岡本竹外による奏法解説の研究

Thu17_04_r124--Kazushi Matama--Playing softly (Kikyō Gensōkyoku)//柔らかい音で吹く (教材・桔梗幻想曲)

Thu17_04_r242--Shōzan Tanabe--How to play Hōzan Yamamoto's "Kan Otsu:" Performance techniques directly from the composer.

Thu17_04_r126--

Thu17_04_r263--

Thu17_04_r225--

Thu17_04_r228--

Fri18_05_Titl--Fri 18th April, 2025//2025年4月18日(金 )

Fri18_05_____--Fri 09:30 - 10:45//金 09:30 - 10:45

Fri18_05_BBox--Hōzan Nomura--Nakao Tozan: History//中尾都山~ヒストリー~

Fri18_05_r109--Kaoru Kakizakai--A Number of Ideas to Produce Good Quality Sound//良い音を出すための様々な工夫

Fri18_05_r124--Akihisa Kominato--Sing and play folk songs: A course focusing on the basics of playing the shakuhachi while singing simple folk songs such as the Hokkaido folk song Soran Bushi//歌って吹こう民謡講座(ソーラン節(北海道民謡)などの簡単な民謡を歌って尺八を吹く基本に特化した講座)

Fri18_05_r242--Yang Bowen--"Report on Chinese Shakuhachi Performance Research"

Fri18_05_r262--Seki Ichirō--Musical Analyses with Onoe no Matsu [尾上の松(三曲)] and Shakuhachi trio "Sonnet"(Minoru Miki)

Fri18_05_r126--Kinya Sogawa--How to Perform WATAZUMI Doso's Works and the Importance of Singing//海童道道曲の演奏法 歌う事の大切さ

Fri18_05_r263--

Fri18_05_r225--

Fri18_05_r228--

Fri18_06_____--Fri 11:15 - 12:30//金 11:15 - 12:30

Fri18_06_BBox--Reibo Aoki III--Shika no Tōne/"Distant Sound of the Deer"//鹿の遠音、楽曲指導

Fri18_06_r109--Riley Lee--How to meditate with your shakuhachi

Fri18_06_r124--Kizan Kawamura--How to practice and enjoy the shakuhachi: Explanation of practice methods and ways of thinking to enjoy the shakuhachi//尺八を楽しむ練習法 尺八を楽しむための練習方法や考え方を解説します

Fri18_06_r242--Steve Kōchiku Casano--Tehodoki Reiho: Myoan Shinpo Koten Honkyoku

Fri18_06_r262--Veronique Piron--Creative fingering exploration

Fri18_06_r126--Yōdō Kurahashi II--Jimbo-Sanya honkyoku workshop for advanced students//神保三谷 上級向古典本曲講習

Fri18_06_r263--

Fri18_06_r225--

Fri18_06_r228--

Fri18_07_____--Fri 13:30 - 14:45//金 13:30 - 14:45

Fri18_07_BBox--Mini-concert C--Akihisa Kominato, Tomoe Kaneko/Christopher Blasdel, Gunnar Jimei Linder/Akiko Fujimoto, Keisuke Zenyōji, Reison Kuroda, Kuniyoshi Sugawara

Fri18_07_r109--Kinya Sogawa--Various aspects of shakuhachi making//尺八制管についていろいろ

Fri18_07_r124--Martha Reika Fabrique--Mastering the high register in Kumoi jishi on 1.6 shakuhachi

Fri18_07_r242--Teruo Furuya--How to honkyoku melodies song//本曲の<旋律>を<うた>として演奏するための方法

Fri18_07_r262--Ray Jin--How to interpret Nyodō Jin's classical works

Fri18_07_r126--

Fri18_07_r263--

Fri18_07_r225--

Fri18_07_r228--

Fri18_08_____--Fri 15:15 - 16:30//金 15:15 - 16:30

Fri18_08_BBox--Mini-concert D--Kohmei Mizuno, Véronique Piron/Teruo Furuya, Kazushi Matama, Toshimitsu Ishikawa, Kizan Kawamura, Shōzan & Retsuzan Tanabe

Fri18_08_r109--Ralph Samuelson--The Universal Flute

Fri18_08_r124--Kōhei Matsumoto--Basic techniques for honkyoku and how to practice them//古典本曲の基礎技法とその練習方法について

Fri18_08_r242--Zac Zinger--Jazz shakuhachi 101

Fri18_08_r262--Kaoru Kakizakai--Some ideas regarding meri & kari//メリカリの様々なアイデア

Fri18_08_r126--

Fri18_08_r263--

Fri18_08_r225--

Fri18_08_r228--

Sat19_09_Titl--Sat 19th April, 2025//2025年4月19日(土 )

Sat19_09_____--Sat 09:30 - 10:45//土 09:30 - 10:45

Sat19_09_BBox--Satosi Zenpo Simura--"Today's shakuhachi is not just one type!" Its classification as an instrument and its relationship to the musical genres appropriate for each use//「 一種類ではないこんにちの尺八!」その楽器学的分類方法および、個々の使用に適切な音楽種目との関係

Sat19_09_r109--Mizuno Kohmei--Workshop on Kyo Reibo//京鈴慕

Sat19_09_r124--Tsai Hungwen--The making of shakuhachi: From gagaku to Fuke

Sat19_09_r242--Hélène Seiyū Codjo--Teruhisa Fukuda's compositions and style (Hijirikai)

Sat19_09_r262--Stan Kakudō Richardon--Mujushin Kyoku , Nyodo Jin Honkyoku (Advanced)

Sat19_09_r126--Steven Kōchiku Casano--Chōshi: Myoan Shinpo Koten Honkyoku

Sat19_09_r263--

Sat19_09_r225--

Sat19_09_r228--

Sat19_10_____--Sat 11:15 - 12:30//土 11:15 - 12:30

Sat19_10_BBox--Yōdō Kurahashi II--Taki-Ochi honkyoku workshop for intermediate players//瀧落 .... 中級向古典本曲講習

Sat19_10_r109--Toshimitsu Ishikawa--Sound production training(Ishikawa method//「石川メソッド」による音出し講習

Sat19_10_r124--Motonaga Hiromu--Shakuhachi Teaching Methods for Beginners"//「尺八の指導法~初心者編」

Sat19_10_r242--Elizabeth Brown--My composition DIALECT, for solo shakuhachi

Sat19_10_r262--John Kaizan Neptune--Fundamentals of Shakuhachi Acoustics (open to all levels)

Sat19_10_r126--Dōzan Fujiwara--How to control one`s instrument; deconstructing and reconstructing ,ovement

Sat19_10_r263--

Sat19_10_r225--

Sat19_10_r228--

Sun20_11_Titl--Sun 20th April, 2025//2025年4月20日(日)

Sun20_11_____--Sun 09:30 - 10:45//日 09:30 - 10:45

Sun20_11_BBox--Akihito Obama--"The Holy Land of Shakuhachi":A Pilgrimage to the Holy Land -//「尺八の聖地」~聖地巡礼のススメ~

Sun20_11_r109--Yōko Reikano Kimura--Contemporary American composers: From the perspective of traditional Japanese music~//アメリカの現代作曲家 〜邦楽作品の視点から〜

Sun20_11_r124--Kōzan Nakajima--Ideas for Practice, open to all levels

Sun20_11_r242--James Nyōraku Schlefer-- Intermediate; Teaching (Futaiken) Sanya

Sun20_11_r262--Antonio Enzan Olias--Fuke Shakuhachi - Etsuzan Fujiyoshi school

Sun20_11_r126--Reibo Aoki III--Song of Mumei, composed by Reibo Aoki II

Sun20_11_r263--

Sun20_11_r225--

Sun20_11_r228--

Sun20_12_____--Sun 11:15 - 12:30//日 11:15 - 12:30

Sun20_12_BBox--Kiku Day--Daiotsu-gaeshi workshop on 2.4, to get a taste of how to play on longer flutes

Sun20_12_r109--Kyle Chōmei Helou--San'An

Sun20_12_r124--Suizan Lagrost--Tips & Tricks — General masterclass on technical issues, for any school or style

Sun20_12_r242--Retsuzan Tanabe--Practice methods for playing Western scales on the five-hole shakuhachi//五孔尺八で西洋音階を吹くための練習法

Sun20_12_r262--Kōzan Shiba--About creating music that includes Western instruments//洋楽器を交えた楽曲制作について

Sun20_12_r126--Christopher Yohmei Blasdel--Aging and Shakuhachi Practice—towards fine tuning the body

Sun20_12_r263--

Sun20_12_r225--

Sun20_12_r228--

Sun20_13_____--Sun 13:30 - 14:30//日 13:30 - 14:30

Sun20_13_BBox--Mini-concert E--Riley Lee, Bruce Heubner, Daisuke Kaminaga, Yōdō Kurahashi, John Neptune, Kinya Sogawa

Sun20_13_r109--Jūmei Tokumaru--(Kinko-ryū honkyoku “Sōkaku Reibo”//楽曲指導(琴古流本曲, 巣鶴鈴慕)

Sun20_13_r124--Kuniyoshi Sugawara--Consideration of wind instrument blowing breathing techniques

Sun20_13_r242--Keisuke Zenyōji--Basic knowledge for playing Yamada-ryū koto music//山田流箏曲との合奏の基礎知識について

Sun20_13_r262--Toshimitsu Ishikawa--Training on Rando Fukuda's works using piano karaoke recordings"//ピア ノカラオケ音源を用いた福田蘭童作品の講習

Sun20_13_r126--

Sun20_13_r263--

Sun20_13_r225--

Sun20_13_r228--

Sun20_14_____--Sun 15:00 - 16:00//日 15:00 - 16:00

Sun20_14_BBox--Mini-concert F--David Wheeler, Akiko Fujimoto, Yōko Hihara, Martha Fabrique, Kōhei Matsumoto, Jūmei Tokumaru, Yōko Reikano Kimura, Sumie Kaneko

Sun20_14_r109--Ray Jin--Lecture: "Exchange between Jin Nyodo and the United States" (Japanese)//講義「神如道と米国の交流」 (日本語)

Sun20_14_r124--Cornelius Boots--Bass Shakuhachi, Mukyoku (無曲) : New Repertoire and Training Curriculum for Wide-bore Jinashi Shakuhachi (Taimu)

Sun20_14_r242--Akihisa Kominato--Basic folk song playing techniques/Mogamigawa Funauta, Yamagata folk song: for beginners and intermediate players)//民謡の基本的な奏法/最上川舟唄(山形県民謡)(初級、中級者向き)

Sun20_14_r262--Teruo Furuya--Sanya//本曲「三谷」

Sun20_14_r126--

Sun20_14_r263--

Sun20_14_r225--

Sun20_14_r228--