2nd Shakuhachi Research Symposium 2025 / 第二回尺八研究シンポジウム発表
Symposium presenters and auditors may now register here.
The Symposium program may be downloaded here.
Date: April 16, 2025, 9:00 am ~ 5:00 pm
Melbern G. Glasscock Center (Glasscock Center Library)
9:00 – 9:25 Registration
9:30 – 11:00 Panel 1: Shakuhachi Analysis
9:30 – 10:00 Bruno Deschênes (remote delivery): Grouping of Phrases in Old Solo Honkyoku Music
10:00 – 10:30 LeRon Harrison: Courtly Images, Shakuhachi Practice: Deciphering the Tonal Images of the Taigenshō
10:30 – 11:00 Paul Engle: Compositional Agency in Shakuhachi Performance: Reflexive Creativity in Yokoyama’s Cadenzas for November Steps and Tsuru no Sugomori
11:00 – 11:30 Break
11:30 – 12:30 Keynote speaker Kanda Kayu
12:30 – 13:30: Lunch
13:30 – 15:30 Panel 2: Diverse Roles of the Shakuhachi in Society and the Arts
13:30 – 14:00 Koji Matsunobu: Understanding Emergent Shakuhachi Identities in China
14:00 – 14:30 Philip Horan: Spies, Assassins and Lovers: Shakuhachi-wielding Characters in Ukiyo-e Kabuki Prints
14:30 – 15:00 Lauren Rubin: The Shakuhachi’s Relationship to Shingon Buddhism and Avian Respiration
15:00 – 15:30 Lydia Snyder: Using the Shakuhachi Flute to Trigger an ASMR Response: Cultivating Intimacy and Connection through Suizen Meditation
15:30 – 16:00 Break
16:00 – 17:30 Panel 3: Shakuhachi Composition
16:00 – 16:30 Jim Franklin (remote delivery): Densōkugaku: An Approach to Integrating Shakuhachi and Live-Electronics
16:30 – 17:00 Garrett Grosbeck: Shakuhachi Un-sampled: Compositional Approaches to Japanese Instruments in Streaming-era Popular Media
17:00 – 17:30 Daiwei Lu: The Notation of Shakuhachi in Contemporary Music
17:30 – 17:45 Closing remarks
シンポジウムの発表者および聴講者の登録はこちら。
シンポジウムのプログラムはこちら。（英語のみ）
アメリカ、テキサス州、テキサスA&M大学
日付：2025年4月16日、午前9時〜午後５時、会場：LAAH (Liberal Arts and Humanities Bldg.)
Date: April 16, 2025, 9:00 am ~ 5:00 pm
Melbern G. Glasscock Center (Glasscock Center Library)
9:00 – 9:25 Registration
9:30 – 11:00 Panel 1: Shakuhachi Analysis
9:30 – 10:00 Bruno Deschênes (remote delivery): Grouping of Phrases in Old Solo
Honkyoku Music
10:00 – 10:30 LeRon Harrison: Courtly Images, Shakuhachi Practice: Deciphering
the Tonal Images of the Taigenshō
10:30 – 11:00 Paul Engle: Compositional Agency in Shakuhachi Performance: Reflexive Creativity in Yokoyama’s Cadenzas for November Steps and Tsuru no Sugomori
11:00 – 11:30 Break
11:30 – 12:30 Keynote speaker Kanda Kayu
12:30 – 13:30: Lunch
13:30 – 15:30 Panel 2: Diverse Roles of the Shakuhachi in Society and the Arts
13:30 – 14:00 Koji Matsunobu: Understanding Emergent Shakuhachi Identities in China
14:00 – 14:30 Philip Horan: Spies, Assassins and Lovers: Shakuhachi-wielding Characters in Ukiyo-e Kabuki Prints
14:30 – 15:00 Lauren Rubin: The Shakuhachi’s Relationship to Shingon Buddhism and Avian Respiration
15:00 – 15:30 Lydia Snyder: Using the Shakuhachi Flute to Trigger an ASMR Response: Cultivating Intimacy and Connection through Suizen Meditation
15:30 – 16:00 Break
16:00 – 17:30 Panel 3: Shakuhachi Composition
16:00 – 16:30 Jim Franklin (remote delivery): Densōkugaku: An Approach to Integrating Shakuhachi and Live-Electronics
16:30 – 17:00 Garrett Grosbeck: Shakuhachi Un-sampled: Compositional Approaches to Japanese Instruments in Streaming-era Popular Media
17:00 – 17:30 Daiwei Lu: The Notation of Shakuhachi in Contemporary Music
17:30 – 17:45 Closing remarks
